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Helen paints an arrangement of roses using inks and watercolor.
Helen makes wrapping paper using craft paper, house paint, and easy methods.
Helen uses watercolor to paint a scene from her home pond.
Helen uses a pre-painted canvas, gouache paints, stencils and a plethora of playful techniques to create a unique painting featuring a variety of dahlias arranged in glass bottles.
Helen uses gouache to paint a colorful landscape of Canadian tide pools.
Helen uses two-toned gouache paint to create a pattern of mushrooms.
Helen goes to one of her favorite places to find inspiration -- a dear friend's garden; she uses acrylic and pastels to paint an elaborate landscape, capturing its structural elements as well as its native areas.
Helen finds inspiration in nature and wildlife for a piece; she uses charcoal, watercolor and pastel to paint a detailed blue jay perched on a branch with clusters of winter berries.
Helen paints ferns onto a lampshade to be used as home decor.
Helen works with gouache paint to recreate a landscape photograph.
Helen uses an array of colors and bleach splatter to paint Betta fish.
Helen uses pen and ink to capture insects and florals outside her studio.
Helen uses black paper and white ink to paint layers of seashell varieties.
Helen visits her potter friend RJ who gifts Helen a ceramic vase she made; Helen decorates it with a landscape and florals and then fires it in a kiln.
Helen returns to her roots and paints a landscape of the studio space, including the lake that has inspired her since she arrived and the varying foliage.
Helen shares a wet-on-wet technique to paint an array of ombre flowers.
Helen demonstrates how to paint a monochromatic bundle of poppies.
Helen paints her own version of a Dutch master floral arrangement; she mixes a dark background with deep hues to enhance the vibrancy of the flowers.
Helen Dealtry reveals how to paint an orchid with ink; she encourages a slow pace, attention to detail and patience through the creative process.
Helen shows how photography can be used to inspire a landscape portrait; she creates a painting of a tranquil scene from a nature photograph; she explains the beauty of using one artistic medium as inspiration for another.
Helen reveals how gouache can be used as a textural paint alternative; she demonstrates how its thicker nature differs from inks or watercolour paint.